Anne Sat in a Chair - 1st Sitting
I have made an initial start on the large portrait of Anne Sitting. As is usual when painting, your present work will spawn new ideas for further work and exploration. While I was painting Anne's portrait last year, I realised that a more complete picture with her sitting in the chair would be a truer and more compelling portrait. She habitually wears many layers of dark clothes and has these lurid orange plastic shoes. The shoes became a problem for me on the last portrait as they kept distracting my eye, and I asked her to wear different ones. It became something of a joke between us, and we both agreed that for this painting she should wear them.
I began our first sitting by making a few preliminary drawings. Drawing is always a good way to get to know a subject. It doesn't matter that they are rough or crude; they are not intended to be finished artworks. They are working drawings and you start to get a feel for where potential problems are going to be. With this painting, the multiple layers of clothing with collars and zips, and the complex folds will be challenging to paint.
I also took a few photographs. Even though I find photo's difficult to work from, I find them potentially usefull for recording different positioning and changing light effects.
Quite often in the past, I haven't bothered with drawing onto the canvas before jumping straight in with the paints. Maybe because it has been so long since I have worked on a canvas this size, but I seem to have lost confidence in that approach. So this time, I sketched in a rough drawing, using charcoal and a large brush dipped in water to correct my many mistakes.
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